Subtleties

February 8, 2013 § Leave a comment

While compositing the animation we are already looking at the Grading of the picture. Starting from the original picture we are testing texture, shades and grain to combine  the different elements together. (Click the pictures to see it full screen)

Miniature Milestones

February 1, 2013 § Leave a comment

On the 19 January the last frames was coloured in by Alan Bannister, while today we are delighted to announce that we have water-coloured  and captured the last shot. Proceding with the next step: to complete the compositing!

The Process

January 25, 2013 § Leave a comment

Every single shot has been first acted, then filmed, printed out, coloured in, water coloured,  and re-filmed under the animation camera. Then for each shot we draw, coloured, painted and scanned the background . Finally the different elements were imported in  the computer and we composited  the animation with the background and we start to animate the fog.

It roughly means we create about 25/90 frames (1-3 sec) a day from scratch depending on complexity. Here some gifs that show the last part of the process from the water-colour to the composited shot

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photo 1030

photo 2

A wee bit of Movement

January 3, 2013 § Leave a comment

We are painting and filming all the frames to be composited together with the backgrounds, here some GIFs showing part of the process

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I particularly love this second shot: on the right hand corner you can see “flickering by” all the names of all the people that coloured in the different pictures . In this GIF 10 different people coloured few frames each

A Winter Room of One’s Own

December 17, 2012 § Leave a comment

the foggiest ideal shaun clark kim noce mewlab animation blog

The days are short and to shoot an animation more often than not you need a dark room to maintain a constant level of brightness. Well, it can feel a little bit like “Groundhog Day” so a beautiful list help feeling a sense of achievement:

So far we did:

  • 4000 frames coloured in
  • 127 A3 Painted Props
  • 66 A3 Painted backgrounds

And now we are about to watercolour and film 5500 frames… But we do still need to colour the last 1000 frames and composite the 66 shots together with the animation It will all takes two more solid wintery months. And after the animation we will do the edit, sound, music, and master it all for cinema viewing.

Here a small sample painting the character of 25 frames, this is only a second of animation.

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We paint  and film each single picture.

But at least we have already done:

  • 10 meetings
  • 3 events with 350 people (+ one extra event on the way)
  • 1 casting day
  • 3 Days Rehearsal
  • 2 Days Shooting
  • 1 week editing
  • 1 week scriptwriting
  • 1 week research with 4 mood boards
  • 1 week for 2 animated tests
  • 1 week to create the whole storyboard
  • 2 days to print the 5500 frames
  • 3 days to photographs object for reference for the paintings
  • and about 2 to 3 weeks administration to organise it all
  • and lot of thinking and solid “dreaming”!

Well we are workaholics!

Keep Calm and Carry on Drawing

August 2, 2012 § Leave a comment

We are inching our way towards the final frames, few hundreds to go…!

Then we will film each frame adding the watercolour.

After  we will create all the backgrounds, and  finally we will combined them all together.

What it takes to print 5000 frames!

June 13, 2012 § 1 Comment

An amazing producer: Margaret Cheal
A wonderful reprographic expert: Alison Grant Davey
The kindness of Watford Campus Staff!
A fabulous establishment such us West Herts College!
A monster of a printing machine!
5000  punched A4 animation paper by Chromacolour
Few sharpies, 68 folders, 83 coloured stickers, two suitcases, three large coffee, a big bunch of late nights shifts, two afternoons in the printing facilities!
Lots a patience and nerves of steel!

Yes, nerves of steel!!!!

Alison Grant-Davey printing the frames for “The foggiest Ideal”

Alison Grant-Davey, Margaret Cheal and            printing the frames for “The foggiest Ideal”

Shooting Day on 12th May

May 13, 2012 § Leave a comment

We had a wonderful and intense day shooting the live action for “The Foggiest Idea”

We would like to thank the whole team:
Dylan as the character of James
Judith as the Dancer
Maya as the Mother and the Commuter
Megan, Richard and Alex as our commuters.

Margaret for the fantastic  organisation of the shoot, Laura Horn for her invaluable Ideas and Daniel for his help as First AD and continuity…

And of course Watford Live, West herts college, Sophie Cady and The town of watford.

The first step is done, do not miss the next step to help us create the next part of the film!


James and his Magnifying Glass


The Commuters


James and the Dancer

Mum and Dad



The child

STORYBOARD

April 30, 2012 § Leave a comment

Thumbnail sketches for the shoot. We are preparing the storyboard for the shoot, just quick drawing to visualise how the action happens.

 

Early test technique

April 24, 2012 § Leave a comment

We have been doing small tests for the technique  before the shoot, and it works!

 

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